It is a cold, foggy Sunday
morning in the City. A time for quiet, as the fog dampens not only the air, but
sound. It does not seem like a time for endings or a time for beginning. Just a
near silent morning thinking about today, not so much about yesterday and very
little about tomorrow. Reflecting on temporality: this magnificent butterfly
remains magnificent.
Sunday, July 14, 2013
Thursday, July 4, 2013
blue light of awareness
Late in the evening as I was
walking home, I saw the grizzled old man who frequently sleeps in doorways and
on bus benches on Mission Street .
I have commented on him in an earlier blog. I have observed him from the bus
window. I sometimes walk past him when he seems to be passed out. I have
watched him as he incoherently discourses with the passing traffic. All of
these times, I have seen him. Last night, he looked up at me as I
passed and I realized that he recognized me, too. I had never once thought
about him observing me. This was a shattering awareness of my role as “unseen”
observer. A psychic way of separation and self-protection that feels very, very uncomfortable.
Sunday, June 30, 2013
too large to comprehend
My world has seemed overly busy,
congested, problematic and sometimes too large to comprehend recently. I
stepped outside and the light changed it all ─ the branch of a common
bottle brush tree pressing up against a wall, soft, beautiful and simple. For a
moment in time, the other was forgotten.
Sunday, June 23, 2013
watching the super moon
The largest, most super moon of
2013 happened this morning, Sunday, June 23rd, according to the meteorologist.
In San Francisco,
if we are to believe such a thing ─ we simply must have a lot of faith and
trust. Summer here often means we are shrouded
in a lovely mist (well, actually chilly fog). It is difficult to observe
celestial happenings unless you are on top of a mountain, and that means
leaving town.
Sunday, June 16, 2013
in a Mayan temple
This morning, I walked by
the light-well window in my old Edwardian flat in San Francisco at 8:44 a.m. I was stunned by
the exact alignment of the morning sun through the 5 or 6 inch space between my
building and the house to the north. (San
Francisco homes are often built with separate walls,
but almost touching).
I guess I thought for a
moment that I was an ancient Mayan astronomer noting something of great
significance left to me by incredibly brilliant ancestors. Well, not really,
but had fun thinking about how the San Francisco land use of 1910, when my building was
built, might have some relationship to thousand year-old temples in the Yucatan.
For some reason, I was
unable to make a Father’s Day blog entry today. The memories seem bound up too
tight and the images just would not come. I will try on another day.
Sunday, June 9, 2013
simply stunned
Today, I had the first
gloriously ripe organic peach of the summer season. That
moment of perfection that leaves you simply stunned. As you can see, I have
two more stunning moments ahead.
But, the bowl of pits. Now,
that is an example of an idea that has become obsession. In 2007, I was so
happy to have the wonderful stone fruits and began to realize that each seed
was slightly different. Thought it might make a photo shoot or some sort of an
art project. Well, I put the 2007 pits into this bowl from Macao and that started it. The “heart” of every
stone fruit that I have eaten since has gone into this bowl. What to do with
them? When to stop? I can imagine someone sorting through my belongings when I
have gone off to that orchard in the sky and saying….”what was he thinking?”
Sunday, June 2, 2013
artist's commitment
This amazing artwork was on
the hood of a 60’s Chevy. The artist painted directly onto the metal and then had
a specially developed protective glaze over it all. He told me that it took nearly a year to complete the entire car. The reflection of the overhead wires was
the City’s way of complementing the art. I am deeply impressed by the
commitment of any artist to the development and maybe perfection of their form.
Would we view this work differently if it were shown in museum, or even as a
high-end advertisement?
Subscribe to:
Posts (Atom)